
Alessandro Marcello
Baroque · 1684–1750
Alessandro Marcello was a Venetian nobleman who never needed music to pay the bills. He wrote poetry, painted, and studied mathematics, composing on the side and sometimes publishing under a pen name. His younger brother Benedetto was also a composer, and for years their works were tangled up with each other's.
His Oboe Concerto in D minor had exactly that fate: it circulated under other names, including his brother's, before scholars settled the question. Bach thought enough of it to arrange it for solo harpsichord, and its slow movement, a long aching melody over gently pulsing strings, is the reason the piece endures.
There is really one place to start: the Oboe Concerto in D minor. The slow movement alone explains why an amateur aristocrat still has a place in concert programs.
15 works in the catalog, across 3 genres. Log what you listen to with Opus, the classical music journal for iPhone.
Chamber
- Sonata for Violin Solo in E minor
Orchestral
- Oboe Concerto in D minor, op. 1, SF.935
- Adagio from Oboe Concerto in C minor
- Concerto for 2 Oboes, no. 1 in D major, SF.936
- Concerto for 2 Oboes in B flat major, SF.943, "No. 10 with Echo"
- Concerto for 2 Oboes in E minor, SF.939
- Concerto for 2 Oboes no. 2 in E major, SF.938
- Concerto for 2 Oboes no. 3 in B minor, SF.937
- Concerto for 2 Oboes no. 5 in B flat major, SF.944
- Concerto for 2 Oboes no. 6 in G major, SF.941
- Concerto for 7 Recorders and Strings in G major, SF.945
- Concerto in D minor, for harp and orchestra
- La cetra di Eterio Stinfalico: Concerto no. 3 in B minor
Vocal
- 12 Cantate di Eterio Stinfalico: Riposo di Clori
- 12 Cantate di Eterio Stinfalico: Serenata ad Irene