
Arvo Pärt
Post-War · 1935–
Arvo Pärt grew up in Estonia and spent his early career in Tallinn, working as a sound engineer for Estonian Radio while composing in the modernist styles of the day. In the late 1960s he largely stopped, spent years studying medieval chant and early church music, and emerged in 1976 with something entirely different: slow, quiet music built from simple scales and bell-like chords. He named the style tintinnabuli, from the Latin word for little bells.
Soviet authorities made his life difficult, and in 1980 he emigrated with his family, eventually settling in Berlin. The spare style traveled well: his music is now performed and recorded worldwide, and filmmakers reach for it constantly.
Tabula rasa, written for two violins, string orchestra, and piano, is the classic entry point. Follow it with Fratres, a piece that exists in many arrangements and rewards all of them.
106 works in the catalog, across 4 genres. Log what you listen to with Opus, the classical music journal for iPhone.
Chamber
- Arbos, for 4 trumpets, 4 trombones, and percussion
- Arbos, for 7 recorders and 3 triangles ad lib
- Collage over B-A-C-H, for strings, oboe, harpsichord, and piano
- Fratres, for 4, 8 or 12 cellos
- Fratres, for cello and piano
- Fratres, for chamber ensemble
- Fratres, for string quartet
- Fratres, for strings and percussion
- Fratres, for violin and piano
- Fratres, for wind octet and percussion
- Mein Weg, for 14 strings and percussion
- Mozart-Adagio, for violin, cello and piano
- Quintettino, for flute, oboe, clarinet, horn and bassoon, op. 13
- Spiegel im Spiegel, for violin and piano
- Summa, for violin, 2 violas and cello
Keyboard
- Annum per annum
- Annum per annum
- Für Alina
- Für Anna Maria
- Mein Weg hat Gipfel und Wellentäler
- Pari intervallo
- Partita, op. 2
- Piano Sonatine, op. 1, no. 1
- Piano Sonatine, op. 1, no. 2
- Trivium
- Variations for the Healing of Arinushka
Orchestral
- Fratres, for strings and percussion
- Symphony no. 3
- Tabula rasa Concerto for 2 violins, prepared piano and strings
- An den Wassern zu Babel saßen wir und weinten, for trombone and chamber orchestra
- Cantus in Memory of Benjamin Britten, for string orchestra and bell
- Collage sur B-A-C-H, for oboe, string orchestra, harpsichord, and piano
- Concerto piccolo over B-A-C-H, for trumpet, strings, harpsichord and piano
- Festina lente, for strings and harp ad lib
- Fratres for violin, string orchestra and percussion
- Für Lennart in memoriam
- Lamentate, for piano and orchestra
- La Sindone
- Orient and Occident, for string orchestra
- Perpetuum mobile, op. 10
- Pro et contra: Concerto for Cello and Orchestra
- Psalom, for string orchestra
- Silouans Song, for string orchestra
- Summa, for strings
- Symphony no. 1, op. 9, "Polyphonic"
- Symphony no. 2
- Symphony no. 4
- Trisagion, for string orchestra
- Wenn Bach Bienen gezuchtet hatte, for wind quintet, piano, string orchestra and percussion
Vocal
- ... which was the son of...
- 2 Slavic Psalms, for chorus or soloists
- 7 Magnificat Antiphons
- Adam's Lament, for chorus and orchestra
- Alleluja Tropus, for chorus and orchestra
- An den Wassern zu Babel saßen wir und weinten, for soloists or chorus and organ
- And One of the Pharisees, for 3 voices or chorus
- Beatus Petronius, for chorus and orchestra
- Berliner Messe, for chorus and organ
- Bogoróditse dyévo
- Cantate Domino, for chorus and organ
- Cantique des degrés, for choir and orchestra
- Cecilia, vergine romana, for chorus and orchestra
- Christmas Lullaby, for chorus and orchestra
- Como cierva sedienta, for female choir and orchestra
- Credo, for chorus, piano, and orchestra
- Da pacem Domine
- De Profundis
- De profundis, for male chorus, percussion, and organ
- Dopo la vittoria: Little cantata
- Es sang vor langen Jahren, for countertenor, violin, and viola
- Estonian Lullaby, for chorus and orchestra
- I Am the True Vine
- In principio, for mixed chorus and orchestra
- Kanon Pokajanen,
- Kuus, kuus kallike, Estonian lullaby for 2 voices and ensemble
- L'Abbé Agathon, soloists, chorus and orchestra
- Litany, for soloists, chorus, and orchestra
- Littlemore Tractus, for chorus and organ
- Magnificat
- Memento
- Miserere, for soloists, chorus, chamber ensemble, and organ
- Missa sillabica
- Morning Star, for chorus
- Most Holy Mother of God
- My Heart's in the Highlands, for chorus and organ
- Nunc dimittis
- Passio, for tenor, bass, vocal quartet, chorus, oboe, bassoon, violin, cello and organ
- Passio Domini Nostri Jesu Christi secundum Joannem
- Peace Upon You, Jerusalem, for chorus
- Salve regina, for chorus and organ
- Sarah Was Ninety Years Old, for soprano, 2 tenors, organ, and percussion
- Sei gelobt, du Baum, for baritone and early music ensemble
- Solfeggio
- Spiegel im spiegel
- Stabat Mater, for choir and string orchestra
- Stabat Mater, for soprano, alto, tenor, violin, viola, and cello
- Statuit ei Dominus, for chorus and orchestra
- Summa
- Te Deum, for double chorus, strings, prepared piano, and tape
- The Beatitudes, for chorus and organ
- The Deer's Cry, for chorus
- The Woman with the Alabaster Box
- Tribute to Caesar
- Triodion
- Vater unser
- Veni creator, for chorus and organ