
Erik Satie
Late Romantic · 1866–1925
Erik Satie made simplicity a kind of rebellion. Born in the Normandy port town of Honfleur in 1866, he settled in Paris, dropped out of the Conservatoire, and earned his living playing piano in the cabarets of Montmartre. While his contemporaries wrote ever grander music, he wrote short piano pieces of deliberate plainness, spare, unhurried, and strange, and gave them deadpan titles or instructions no one could quite take seriously.
He lived alone in the suburb of Arcueil in a room almost nobody was allowed to enter, and walked miles into Paris each day. Late in life the younger generation adopted him as a hero, and he collaborated with Cocteau and Picasso on the ballet Parade, which put typewriters and sirens in the orchestra.
Start with the 3 Gymnopédies, then the Gnossiennes, and let the quiet do its work.
98 works in the catalog, across 5 genres. Log what you listen to with Opus, the classical music journal for iPhone.
Chamber
- Air du Grand Prieur, for guitar
- Choses vues à droite et à gauche; sans lunettes, for violin and piano
- La statue retrouvée, incidental music for trumpet and organ
- Sonnerie pour réveiller le bon gros roi des singes, for 2 trumpets
Keyboard
- 3 Gnossiennes, for piano
- 3 Gymnopédies
- 2 Choses
- 2 Rêveries nocturnes
- 3 Distinguished waltzes of a disgusted dandy
- 3 Pages mystiques
- 3 pieces in the form of a pear, for piano 4-hands
- 3 Sarabandes
- 4 Ogives
- 4 Préludes
- 5 Nocturnes
- 6 Gnossiennes
- 6 Pièces de la période 1906-1913
- 9 Danses gothiques, for piano
- 12 Petits chorals
- Age-old and instantaneous hours
- Allegro
- Avant-dernieres pensees
- Caresse
- Chapters turned every which way
- Childish Chatter
- Cold Pieces
- Danses de travers
- Descriptions automatiques
- Desespoir agreable
- Deux Oeuvres de jeunesse
- Eginhard, prelude for piano from incidental music
- Embryons desséchés
- Fantaisie-Valse
- Fete donnee par des chevaliers normandes en l'honneur d'une jeune demoiselle
- Flabby preludes for a Dog
- Gnossienne, for piano no. 1
- Gnossienne, for piano no. 3
- Gnossienne no. 7
- Gymnopedie, for piano no. 1
- Heures seculaires et instantanees
- In Riding Habit, 4 pieces for piano duet
- Jack in the Box
- Java Martienne, for organ
- L'enfance de Ko-Quo
- Le fils des étoiles, Chaldean pastoral, 3 preludes
- Le Nazaréen, incidental music for piano
- Le Piccadilly, march
- Le Piège de Méduse, dances
- Menus propos enfantines
- Musiques intimes et secrètes
- New Cold Pieces
- Next-to-last thoughts
- Nouvelles pièces enfantines, 3 pieces
- Old Sequins and Armor
- Passacaille
- Petite musique de clown triste
- Petite ouverture à danser, for piano
- Picturesque Childishness
- Poudre d'or
- Premier menuet
- Première pensée Rose + Croix
- Profondeur
- Prélude de la Porte Héroique du Ciel
- Prélude en tapisserie
- Rêverie du pauvre
- Sonatine bureaucratique
- Songe-creux
- Sonneries de la Rose + Croix
- The Angora Ox
- The Dreamy Fish, incidental music
- The puppets dance
- Tiresome Peccadilloes
- Trio
- Truly Flabby Preludes for a Dog
- Unpleasant glimpses, 3 pieces for piano 4-hands
- Valse-Ballet
- Valse-ballet; Fantaisie-valse
- Verset laïque et somptueux
Orchestral
- 3 Petites pièces montées
- Cinq grimaces pour 'le songe d'une nuit d'été', incidental music
- Cinéma: Entr'acte symphonique de Relâche
Stage
- Parade Ballet
- Jack-in-the-Box, pantomime ballet for piano
- Mercure Ballet
- Relâche Ballet
- Socrate, Drame Symphonique avec voix
- Uspud, Christian ballet in 3 scenes for piano
Vocal
- 3 Mélodies of 1886
- 3 Mélodies of 1916
- Chanson
- Chanson médiévale
- Je te veux, café-concert song
- L' Omnibus automobile, song
- La diva de l'empire, cabaret song
- Les Fleurs
- Ludions
- Messe des pauvres, for piano, chorus, and organ
- Tendrement, valse chantée