
Franz Liszt
Romantic · 1811–1886
Franz Liszt was the first modern superstar performer. Born in Raiding, Hungary, in 1811, he became the most famous pianist in Europe, and audiences responded with a frenzy the press called Lisztomania. He essentially invented the solo piano recital: one performer, alone on stage, playing entire concerts from memory, with the piano turned sideways so the audience could watch his hands.
At 35 he walked away from touring. As music director in Weimar he championed other composers and developed the symphonic poem, a single-movement orchestral work that tells a story or paints a scene. Later he moved to Rome, took minor religious orders, and spent his last decades between Rome, Weimar, and Budapest, teaching generations of pianists for free.
Start with the Piano Concerto no. 1 in E flat major, then dip into Années de pèlerinage, his "years of pilgrimage" travel diary for solo piano.
453 works in the catalog, across 5 genres. Log what you listen to with Opus, the classical music journal for iPhone.
Chamber
- 2 Waltzes, S.208a, for violin and piano
- Am Grabe Richard Wagners, for string quartet, S.135, R.474
- Angelus! Priere aux anges gardiens, for string quartet, S.378, R.473
- Benedictus and Offertorium, for violin and piano, S.381, R.465
- Die drei Zigeuner, for violin and piano, S.383
- Duo Sonata, for violin and piano, S.127
- Elegie: Die Zelle in Nonnenwerth and piano, S.382
- Elegie no. 1, for cello and piano, S.196, "Schlummerlied im Grabe"
- Elegie no. 1, for violin, piano and harmonium, S.130ter
- Elegie no. 2, for violin and piano, S.131
- Epithalam zu Eduard Reményis Vermählungsfeier, for violin and piano, S.129
- Grand Duo concertant sur la Romance de 'Le Marin', for violin and piano, S.128 and S.700h
- Hosanna, for trombone and organ, S.677, R.409
- La Lugubre gondola, for violin and piano, S.134bis
- La notte, for violin and piano, S.377a
- Le carnaval de Pesth, S.379, R.470
- Romance oubliée, for viola and piano, S.132
- Tristia, from Vallée d'Obermann, for violin, cello and piano, S.378c
Keyboard
- 19 Hungarian Rhapsodies, S.244, R.106
- Années de pèlerinage, S.160-163, R.10a-e
- Aprés une lecture du Dante I, fantasia quasi sonata, S.158c
- Piano Sonata in B minor, S.178
- Transcendental Etudes, S.139, R.2b
- 2 Concert Etudes, S.145, R.6
- 2 Czardas, for piano, S225/R45
- 2 Episodes of Lenaus Faust, for piano 4-hands, S.599
- 2 Légendes, S.175, R.17
- 2 Pieces from 'Lohengrin' and 'Tännhauser', S.445
- 2 Polonaises, S.223, R.44
- 2 Romanceros espagnol, S.695c
- 2 Russian Melodies, S.250
- 3 Apparitions, S.155
- 3 Concert Etudes, S.144, R.5
- 3 Funeral Odes, S.516
- 3 Lieder aus Julius Wolffs Tannhäuser, S.498
- 3 Morceaux suisses
- 3 Odes funèbres, S.517
- 3 Petrarch Sonnets I, for piano, S.158
- 3 Schubert Marches, for piano, S426/R251
- 3 Songs, S.485, R.150
- 4 Consolations, for organ
- 4 Geistliche Lieder, S.562, R.247
- 4 Valses oubliées, S.215, R.37
- 4 Vier Kleine Klavierstücke, S.192
- 5 Hungarian Folk Songs, S.245, R.108
- 6 Consolations, S.172, R.12
- 6 Melodies of Franz Schubert, S.563
- 6 Müllerlieder, S.565, R.249
- 6 Organ Preludes and Fugues, S.462, R.119
- 6 Polish Songs, S.480, R.145
- 6 Soirées italiennes, S.411
- 7 Songs, S.547, R.217
- 7 Variations brillantes sur un theme de Rossini, S.149, R.148
- 8 Préludes et Harmonies poétiques et religieuses, S.171d
- 10 Harmonies poétiques et religieuses, S.173, R.14
- 10 Lieder, S.569
- 12 Chorales, Zwölf alte deutsche gestliche, S.50
- 12 Etudes pour le piano-forte, S.136, R.1
- 12 Grandes Etudes, S.137, R.2a
- 12 Lieder, S.558, R.243
- 12 Lieder von Robert Franz, S.489
- 12 Soirées Musicales, S.424, R.236
- 25 Bunte Reihe, S.484
- Ab irato, S.143, "The Perfect Etude"
- Abschied, S.251
- Adelaïde, S.466
- Adélaide
- Agnus Dei de la Messe de Requiem, S.675c
- Album-Leaf: Consolation no. 1, S.171b
- Album d'un voyager, S.156
- Alleluia et Ave Maria, S.183
- A magyarok Istene, S.543
- A magyarok Istene, S 674
- Am Grabe Richard Wagners, S.202
- Am Grabe Richard Wagners, S.267
- Am stillen Herd aus den Meistersingern, S.448, R.281
- Andante finale and March, S.421, R.233
- Andante religioso, S.261a
- Angelus! Prière aux anges gardiens, for harmonium, S.672c
- Aus Lohengrin, S.446
- Ave Maria, S.545
- Ave Maria, S.659, R.401
- Ave Maria, S.674b
- Ave Maria: Die Glocken von Rom, S.182
- Ave Maria in D flat major, S.504/2
- Ave Maria von Arcadelt, S.659
- Ave maris stella, S.506
- Bagatelle without Tonality, S.216a, R.60c
- Ballade, for piano no. 2 in B minor, S.170a
- Ballade, for piano no. 2 in B minor, S.171
- Ballade no. 1, S.170, "Le Chant du Croise"
- Ballade no. 2 in B minor, S.171, R.16
- Ballad from 'The Flying Dutchman', S.441
- Benedictus and Offertorium aus der ungarischen Krönungsmesse, S.501
- Berceuse, S.174
- Buch der Lieder, S.531, R.209
- Carrousel de Mme. Pelet-Narbonne, S.214a, R.60b
- Ce qu'on entend sur la montagne, for 2 pianos, S. 635, "Bergsymphonie"
- Christus ist geboren: Nato e Cristo Redentor, S.502
- Concert Paraphrase of 'Ernani', S.432
- Concert Paraphrase of 'Rigoletto', S.434, R.267
- Consolations Nos. 3-6, S.672d
- Csardas obstine, for piano, S618/R300
- Csárdás macabre, S.224, R.46
- Czardas obstine, S.225
- Dance macabre, S.555, R.240
- Dante Symphony, for 2 pianos S.648
- Dem Andenken Petofis, S.195, R111
- Der Asra, S.554/2, R.239/2
- Der Gondelfahrer, S.559
- Die Forelle, S.564
- Die Ideale, S.646
- Die Lorelei, S. 532
- Die Rose, Romanze aus der Oper Zemir und Azor, S.571, R.259
- Die Rose, S.556, R.241
- Die Trauer-Gondel, S.199a, no. 1
- Don Carlos: Coro di festa e Marcia funebre, S.435
- Einleitung, Fuge and Magnificat aus der Symphonie zu Dante, S.672b
- Elegie no. 1, S.196
- Elegie no. 2, S.197
- Elégie sur des motifs du Prince Louis Ferdinand de Prusse, S.168
- En rêve, S.207, R.87
- Evocation à la Chapelle Sixtine, for organ, harmonium or pedal piano, S.658
- Excelsior! Preludio zu dem Glocken des Strassburger Münsters, for organ, S.666
- Fantasia on Hungarian Folk Themes S.123, R.458, "Hungarian Fantasy"
- Fantasia on themes from 'Der Freischütz, S.451, R.284
- Fantasie sur des motifs favoris de l'opera La sonnambula, for piano, S393/R132
- Fantasie über Motive aus Figaro und Don Juan, S.697
- Fantasie über Motiven aus Beethovens Ruinen von Athen, S.122
- Fantasy and Fugue on the chorale 'Ad nos, ad salutarem undam', S.259
- Fantasy and Fugue on the Chorale Ad nos, ad salutarem undam, S.624, R.314
- Fantasy and Fugue on the Theme B-A-C-H, S.529
- Fantasy on motives from the opera 'La sonnambula', S.393, R.192
- Fantasy sur l'opéra hongroise Szép Ilonka, S.417
- Feierlicher Marsch zum heiligen Gral aus Parsifal, S.450
- Festklänge, S.641
- Festklänge, symphonic poem for piano, S.511d
- Festvorspiel
- Feuille d'Album no. 1 in E major, S.164
- Feuilles d'album in A flat major, S.165
- Frühlingsnacht, S.568
- Galop de bal, S.220, R.42
- Galop in A minor, S218/R40
- Grande Fantaisie symphonique über Themen aus Berlioz's 'Lélio', S.120
- Grande paraphrase de la marche pour Sa Majesté le sultan Abdul Medjid-Khan, S.403, R.157
- Grandes Etudes de Paganini, S141/R3b
- Grande valse di bravura, for piano 4-hands, S.615, "Le bal de Berne"
- Grand fantasia de bravoure sur 'La clochette', S.420, R.231
- Grand fantasy on motives of 'Soirées Musicales': La serenata e L'orgia, S.422, R.234
- Grand galop chromatique, S.219
- Grand Paganini Étude, S.141
- Grand Septet, S.465, R.127
- Gretchen: 2.Satz aus der Faust-Symphony, S.513
- Grosses Konzertsolo, S.176, R.18
- Hamlet, S.644
- Harold en Italie, S472/R138
- Hexameron, S.392, R.131
- Historiche ungarische, S.205, R.112
- Hungaria, S.643
- Hungaria, symphonic poem for piano, S.511e
- Hunnenschlacht, S.645
- Hymne à Sainte-Cécile, S.491, R.168
- Héroïde funèbre, S.642
- Illustrations du 'Prophète', S.414, R.222
- Impromptu brillant sur des themes de Rossini et Spontini, S.150, R.29
- Impromptu in F sharp major, S.191
- In Dominum Domini Ibimus, prelude, S.671
- In festo transfigurationis Domini nostri Jesu Christi, S.188
- Introitus, S.268/1
- Isoldens Liebestod: Schlußszene aus Tristan und Isolde, S.447
- Klavierstück in F sharp major, S.193
- L'hymne du pape, S.530
- La lugubre gondola, S.200
- La Notte, S.602
- Les adieux, rêverie, from 'Romeo et Juliette', S.409, R.169
- Les Préludes, S.637
- Les sabéennes, Berceuse from 'The Queen of Sheba', S.408, R.167
- Liebestraum, 3 notturnos, S.541
- Liebesträume
- Litanei, S.562/1
- Lob der Tränen, S.557
- Marche et Cavatine de Lucia de Lammermoor, S. 398
- Marche funèbre de 'Dom Sebastien', S.402, R.156
- Mazeppa, S.640
- Mazeppa I, S.138
- Mazurka pour piano composee par un amateur de St. Petersbourg, S.384
- Mephisto Polka, S.217, R.39
- Mephisto Waltz no. 1, S.514
- Mephisto Waltz no. 2, S.515
- Mephisto Waltz no. 3, S.216, R.38
- Mephisto Waltz no. 4, S.216a, R.60c, "Bagatelle sans tonalité"
- Mephisto Waltz no. 4, S.696
- Miserere du Trovatore, S.433
- Missa pro organo, S.264
- Morceau de salon, étude de perfectionnement, S.142
- Mosonyis Grabgeleit, S.194
- Nuages gris, S.199
- Nun danket alle Gott, S.674c
- O! Wenn es doch immer so bliebe, S.554, R.239
- O du mein holder Abendstern, from 'Tannhäuser', S.444, R.277
- Ora pro nobis, litany, S.262
- Orchester-Einleitung aus der Legende von der heiligen Elisabeth, S.663a
- O Roma Nobilis, S.456a
- O Roma Nobilis, S.669c
- Orpheus, S.638
- Orpheus, symphonic poem, S.511b
- Orpheus, symphonic poem, S.672a
- O sacrum convivium, S.674a
- Overture to 'Der Freischutz', S.575, R.289
- Overture to 'Tannhäuser', S.442, R.275
- Overture to 'William Tell', S.552, R.237
- Paganini Caprices, S.140, R.3a
- Pastorale: Schnitterchor aus den Entfesselten Prometheus, for piano, S.508
- Phantasiestück über Motive aus Rienzi, S.439
- Piano Concerto no. 2 in A major, for 2 pianos, S.651
- Piano Piece in A flat major, S189a/R44a
- Polonaise brillante, op. 72, S.455, R.460
- Polonaise from 'Eugene Onegin', S.429, R.262
- Prelude a la polka de Borodine, S.207a
- Prelude and Fugue on the motive B-A-C-H, S.260i
- Prelude and Fugue on the motive B-A-C-H, S.260ii
- Preludio per Il Cantico del Sol di San Francesco, S.665
- Prometheus, S.639
- R.W. Venezia, S.201
- Recueillement, S.204
- Regina coeli laetare, S.663
- Requiem, S.266
- Resignazione, S.187
- Resignazione, S.263/187a
- Revive Szegedin, S.572, R.260
- Rhapsodie espagnole, S.254, R.90, "Folies d'Espagne et jota aragonesa"
- Romance in E minor, S.169
- Romance oubliée
- Romance oubliée, S.527, R.66b
- Rosario, 3 works, S.670
- Russian Galop, S.478, R.143
- Rákóczi-Marsch, for 2 pianos, S.652a
- Réminiscences de 'Lucia di Lammermoor', S.393, R.151
- Réminiscences de 'Lucia di Lammermoor', S.397
- Réminiscences de 'Lucrezia Borgia', S.400, R.154
- Réminiscences de 'Norma', S.394, R.133
- Réminiscences de 'Simone Boccanegra', S.438, R.271
- Réminiscences des 'Huguenots', Grande Fantaisie dramatique, S.412
- Sacred Dance and Final Duet from 'Aida', S.436
- Salve Maria de Jérusalem, S.431
- Sancta Dorothea, S.187
- Sancta Dorothea, S.187, R.73
- Sarabande and Chaconne from 'Almira', S.181, R.25
- Scherzo and March, S.177
- Scherzo in G minor, S.153
- Scherzo und Marsch, S177/R20
- Schlaflos, Frage und Antwort, nocturne, S.203
- Schwanengesang, S.560, R.245
- Second fantasy on motives of 'Soirees musicales': La pastorella dell'Alpi e Li marinari, S.423, R.235
- Slavimo, slavni, Slaveni!, S.668
- Soirées de Vienna, 9 Valses caprices d’après Schubert, S.427
- Spinnerlied aus Der Fliegenden Holländer, S.440
- Spirto gentil, from 'La favorite', S.400a
- Sposalizio I, S.157a
- Stabat Mater, S.579/3
- Symphonie fantastique, S.470
- Symphony no. 1 in C, S.464/1
- Symphony no. 2 in D, S.464/2
- Symphony no. 3 in E flat major, S.464/3
- Symphony no. 4 in B flat major, S.464/4
- Symphony no. 5 in C minor, S.464/5
- Symphony no. 6 in F, S.464/6
- Symphony no. 7 in A, S.464/7
- Symphony no. 7 in A major, S.464
- Symphony no. 8 in F, S.464/8
- Symphony no. 9 in D minor, S.464/9
- Szózat and Hungarian Hymn, S.486, R.158
- Tannhauser: Pilgrim's Chorus, S.443
- Tarantelle, S.482
- Tarentelle, S.483, R148
- Tarentelle di bravura d'après la tarantella de 'La muette de Portici', S.386, R.117
- Tasso: Lamento e Trionfo, S.636
- Toccata, S.197a, R.60
- Totentanz
- Totentanz, S.525
- Trauerode, oration, S.268/2
- Trauervorspiel und Trauermarsch, S.206
- Tscherkessenmarsch aus Russlan Ludmilla, for piano 4-hands, S.629
- Tu es Petrus aus dem Orartorio Christus, S.664/1
- Two Lieder, S.494-495
- Unstern! Sinistre, disastro, S.208
- Urbi et Orbi, bénédiction papale, S.184
- Valhalla from 'Der Ring des Nibelungen', S.449, R.282
- Valse d'Adele, S.456
- Valse impromptu, S.213, R.36
- Valse à capriccio, sur deux motifs de 'Lucia et Parisina', S.401, R.155
- Variationen über das Motiv von Bach: Weinen, Klagen, S.673
- Variation on a Waltz by Diabelli, S.147, R.26
- Variations on a Bach motive: Weinen, Klagen, S.180
- Variations on Bach's Weinen, Klagen, Sorgen, Zagen and Crucifixus from Mass in B minor, S.673, R.382
- Venezia, S.201, R.82
- Venezia e Napoli, S159/R10d
- Vexilla regis prodeunt, for piano, S185/R70
- Waltz from 'Faust', S.407, R.166
- Wanderer Fantasy, S.366
- Wedding March and Dance of the Fairies, S.410, R.219
- Weihnachtsbaum, 4 hands, S.613
- Weihnachtsbaum, S.186
- Weimar Volkslied, S.672
- Widmung, S.566
- Widmung, S.566, R.249
- Wiegenlied, S.198
- Winterreise, S.561, R.246
- Zum Haus des Herrn ziehen wir, S.505
- Zwei Kirchenhymnen, S.669
Orchestral
- 2 Episodes from Lenau's Faust, S.110
- Faust Symphony, S.108, R.425
- Les Préludes, S.97
- Mazeppa, S.100
- Piano Concerto no. 1 in E flat major, S.124
- Piano Concerto no. 2 in A major, S.125
- Tasso: Lamento e Trionfo, S.96
- Totentanz, S.126, R.457
- 3 Odes funèbres, S.112
- 6 Hungarian Rhapsodies, S.359
- Ce qu'on entend sur la montagne, S.95, R.412, "Bergsymphonie"
- Concerto pathéthique, S.367
- Concerto pathéthique in E minor, S.365b
- Concerto pathétique
- De Profundis, Psaume Instrumental, S.121a
- Die Ideale, S.106
- Festklänge, S.101
- Festklänge, S.101, R.418
- Festmarsch nach Motiven von E.H. z. S.C.-G., S.116
- Festmarsch zur Goethe Jubilaumsfeier, S.115
- Hamlet, S.104, R.421
- Hungaria, S.103, R.420
- Hungarian Battle March, S.119
- Hungarian Fantasy, S.123
- Hunnenschlacht, S.105
- Héroïde funèbre, S.102
- Les Preludes, S97/R414
- Malédiction, for piano and string orchestra, S.121
- Mephisto Waltz no. 2, S.111
- Orpheus, S.98
- Piano Concerto no. 3 in E flat major, S.125a
- Prometheus, S.99
- Rákóczi-Marsch, S.117
- Symphony to Dante's Divina Commedia, S.109, R.426
- Von der Wiege bis zum Grabe, S.107, R.424
Stage
- Der traurige Mönch, for narrator and piano, S.348 Melodrama
- Don Sanche, opera, S476/R13
- Lenore, for narrator and piano, S.346 Melodrama
Vocal
- 3 Sonetti di Petrarca, S.270
- 3 Songs from William Tell, S.292
- A magyarok Istene, for chorus, S339/R635
- An die Kunstler, for chorus, S70/R540
- Anfangs wollt' ich fast verzagen, S.311
- Angiolin del biondo crin, S.269
- Ave Maria, for chorus and organ, S.20/2
- Ave Maria, for chorus and organ ad lib, S.20/1, R.496a
- Ave Maria, for soloist and organ, S.681
- Ave Maria in G major, for voice and piano in G major, S.341
- Ave maris stella I in G major, for chorus and organ, S.34/1, R.499a
- Ave Maris Stella in D major, for voice and piano, S.680
- Ave verum corpus, for chorus and organ ad lib, S.44
- Bist du
- Blume und Duft, S.324
- Cantico del Sol di San Francesco, cantata for soloist, male chorus, orchestra, and organ, S.4/2
- Chor der Engel aus Goethe's Faust II, for chorus, harp, piano and harmonium, S. 85/2
- Chore zu Herders entfesseltem Prometheus, for chorus, S69/R539
- Christus for soloists, chorus, orchestra and organ, S.3, R.478 Oratorio
- Christus ist geboren, for chorus and organ
- Comment, Disaient-ils, S.276
- Der du Von dem Himmel Bist, S.279
- Der Herr bewährt die Seelen seiner Heiligen
- Der König von Thule, S.278
- Des Tages laute Stimmen schweigen, S.337
- Die drei Zigeuner, S.320
- Die Fischertochter, S.325
- Die Legende von der heilgen Elisabeth for soloists, chorus and orchestra, S.2 Oratorio
- Die Lorelei, S.273
- Die Seligkeiten
- Die stille Wasserrose, S.321
- Die tote Nachtigall, S.291
- Die Vätergruft, S.281
- Die Zelle in Nonnenwerth, S.274
- Domine salvum fac regem, for chorus, S23/R504
- Du Bist wie Eine Blume, S.287
- Einst
- Einst, S.332
- Enfant, si J'étais Roi, S.283
- Es muss ein Wunderbares sein, S.314
- Es rauschen die Winde, S.294
- Es war einmal ein König, for soloist, male chorus and piano, S.73
- Freudvoll und Leidvoll, S.280
- Gastibelza S.286
- Gebet, S.331
- Gestorben war ich S.308
- Go not, happy day, S.335
- Gottes ist der Orient II, for male chorus, S.90/12
- Hohe Liebe
- Hungarian Coronation Mass, S.11
- Ich liebe dich, S.315
- Ich scheide, S.319
- Ihr Auge
- Ihr glocken von Marling, S.328
- Il m'aimait tant, S.271
- Im Rhein, im schönen Strome, S.272
- In Liebeslust S.318
- Isten veled!, S.299
- J'ai perdu ma force et ma vie, S.327, "Tristesse"
- Jeanne d'Arc au Bûcher, S.293
- Jugendglück, S.323
- Kling leise, mein Lied, S.301
- La perla, S.326
- Lasst mich ruhen, S.317
- La tombe et la rose, S.285
- Le juif errant, S.300
- Le Vieux Vagabond S.304
- Licht, mehr Licht, for chorus, S84/R554
- Magyar kiraly-dal, for chorus, S93/R563
- Mariengarten, for chorus, S62/R512
- Mignons Lied, S.275, "Kennst du das Land"
- Missa choralis quatour vocum concinente organo, for chorus and organ, S.10
- Missa solemnis zur Einweihung der Basilika in Gran, S.9
- Morgens steh' ich auf und frage, S.290
- Muttergottes-Sträusslein, S.316 Song cycle
- Nimm einen Strahl der Sonne, S.310, "Ihr Auge"
- Nun danket alle Gott, for chorus, brass, percussion and organ ad lib, S.61
- Oh! pourquoi donc, S.301a
- O Roma Nobilis, for chorus and keyboard, S.54
- O salutaris hostia II, for chorus, S.43
- Pater Noster III in F S. 41/1
- Pater Noster I in A flat major, for chorus and organ, S.29
- Pro papa
- Psalm 13: Herr, wie lange, for tenor, chorus and orchestra, S.13b
- Psalm 18, Coeli enarrant gloriam Dei
- Psalm 23, Mein Gott, der ist mein Hirt for soloists, chorus and keyboard
- Psalm 129, De profundis
- Psalm 129, De profundis, S.16i
- Qui seminant in lacrimis, for chorus and organ, S.63
- Repsonsorien und Antiphonen, for male chorus and organ ad lib, S.30
- Requiem
- Rosario, for soloist, chorus and organ
- S'il est un charmant gazon, S.284
- Salve Regina, for chorus, S.66
- Septem Sacramenta, S.52
- Und wir dachten der Toten
- Verlassen, S.336
- Via Crucis: Les 14 stations de la croix, for soloists, chorus, and organ, S.53, R.534
- Wartburg Lieder, S.345
- Was Liebe sei?, S.288
- Wer nie sein Brot mit Tranen ass, S.297
- Wieder möcht ich dir begegnen, S.322
- Wie singt die Lerche schön, S.312
- Wo weilt er?, S.295
- Über allen gipfeln ist Ruh', S.306