
Maurice Duruflé
20th Century · 1902–1986
Maurice Duruflé was a church organist in Paris for most of the twentieth century, presiding at Saint-Étienne-du-Mont from 1929 until near the end of his life. Trained as a choirboy at Rouen cathedral, he absorbed Gregorian chant, the ancient flowing melodies of the Catholic liturgy, so deeply that nearly everything he wrote grows out of those lines.
He was a perfectionist to the point of paralysis, publishing barely more than a dozen works in a long life and revising them for decades. A serious car accident in 1975 left him largely confined to his apartment for his final years.
Almost everyone meets him through the Requiem, and that is the right door: chant melodies wrapped in warm colors, closer to consolation than to fear. It is one of the few pieces of its size he allowed into the world.
17 works in the catalog, across 4 genres. Log what you listen to with Opus, the classical music journal for iPhone.
Chamber
- Prélude, Récitatif, et Variations, for flute, cello, and piano, op. 3
Keyboard
- Fugue in C minor on a theme by Henri Rabaud
- Fugue on the Carillon of the Cathedral of Soissons, op. 12
- Hommage à Jean Gallon, "Chant donné"
- Méditation
- Prelude, Adagio et Choral varie sur le theme du Veni Creator, op. 4
- Prelude and Fugue on the Name A.L.A.I.N., op. 7
- Prelude on the Introit of the Epiphany, op. 13
- Scherzo, op. 2
- Suite, op. 5
- Vierne: 3 Improvisations
Orchestral
- 3 Dances, op. 6
Vocal
- Requiem, op. 9
- 4 Motets on Gregorian Themes, for chorus, op. 10
- Missa Cum Jubilo, for baritone, baritone chorus, orchestra, and organ, op. 11
- Notre Père, for chorus, op. 14
- Prelude, Adagio, and Chorale Variations on 'Veni, Creator Spiritus', for organ and baritone choir, op. 4